Even flies. Even spiders. I scooped them
in a cup to liberate them on
the free side of the patio door.
Each life felt essential. The housefly's
twenty-eight-day existence
equal to a cycle of moon, so
each slice of face would be seen
just once, its wax and wane
an unfathomable miracle. Twenty-
eight days was how long I lived
in my parents' house before she
passed. I cooked her meals
and we watched Drop Dead Diva
but I will always remember
we searched the closet for photos
of my grandmother in her youth
to send back to her. In one box
with the pics my mom had tucked
her workout gloves. Don't throw
those away, she told me. I'll need
them again. In five days she'd be
dead. But we didn't know that then.
Instead, I believed her and have never
forgotten her resolve. Flies slow down
before they die, making them easier
to swat. It seems sometimes like they
invite the act. Spiders live for years.
Maybe they keep track based on webs,
or fertility cycles, or changes in weather.
They weave over and over the same
design. I read spiders fear
their prey, which is why they
trap their food, sealing
it in web so they can liquefy it
like a protein smoothie. Sometimes I
think cancer did that to my mom:
wrapped her in dry-leaf skin, melted
organs into a nondescript mass
until she couldn't breathe. I held
her hand when she passed and found
it hard to let it go. Just a week before
I believed she'd survive it all. Just a week.
She dropped her fork while
taking a bite of lunch. That was how the end
began. With a clatter. And the end
of the end was a breath. Do flies
breathe? When they fly into a web
and catch, do they know what's
to come? At the end of Psycho
Norman Bates is dressed like his mother
in custody. He sits alone in a holding
cell. We hear her voice express
how she will fool them all. A fly lands
on his hand, scurries around. Look,
Norman imagines the police will
say. She wouldn't harm a fly. She, too,
has seen how death obliterates.
Flies love the dead. They eat flesh
and plant their babies in the body's
ripe soil. Death is their beginning.
In the midst of flies, we are
in death. Let them live. One day
our bodies will nourish them.
Charles Jensen
Charles Jensen (he/him) wrote Splice of Life: A Memoir in 13 Film Genres (SFWP, 2024). His most recent collection of poetry is Instructions between Takeoff and Landing (U of Akron Press, 2022). He is the recipient of the 2020 Outwrite Nonfiction Chapbook Award, 2018 Zócalo Poetry Prize, a Dorothy Sargent Rosenberg Prize, the 2007 Frank O’Hara Chapbook Award. His poetry has appeared in American Poetry Review, New England Review, and Prairie Schooner. He founded the digital literary magazine Villain Era and hosts The Write Process podcast.