THE CONTINUING EVER-ENDURING TALES OF A MOTHER GOOSE by Geri Lipschultz

The Continuing Ever-Enduring Tales Of A Mother Goose

hush · issue 3

She had left us, my Goldilocks, but the spring home sickness returned her, seeds and lungs, and longing, her lesson of a lifetime. The tendrils of bear trauma had returned, and she reverted—those bears surely knew about sleep disorders!  How she feared the bipolar vortex, how inopportune the muse.

And I’m forever weaving, filling a trunk to give her away.

Flitting for many miles of wandering, floundering in her clouds those red rose sheets, carmine blush vermillion, flannel, and she, thankful for a warm bed. If heart-weary Juliet, or poor suicidal Ophelia, her boyfriend mad for nothing, she will morph into contrary Mary; after all her degree’s in botany. Recovered, she returns without eyelit for comfort, or floral oils for soothing.

 And even then, she re-becomes, always in that act of becoming, a daughter is, and returns with the winds to the snow-scrimmed mountain home, ancient teenager, worrying herself silly about climate change, only to find her bedroom renewed—the starched, snow-stitched winter-laced sheets, how deer and alpaca offered the fur-lined bedding, unguent the smell, the air still humming with bells, her frozen breath. Soon as she nests in sheets, sinful with the scent of pine permeating every room in the house, and the sky lit up with starlight, all her insomnia leaves her. And how she sleeps, so has she slept, each time she has come home from schools and cities and marriages, with kitten or puppy or boyfriend or girlfriend or triplets, it never matters. I tell her stories.

 

My strong Jane Eyre suffering daughter, with her Kathryn the Great muscle of desire, a piercing in her hummingbird throat, a tattoo of the gods on her behind, will come home to me, the cotton mother in my granny dress. She will don gladiola shoes and carry arrows on her back, for truffles and dowries and buttons to be undone. The summer’s her time, and mine, too, a weave and fold until moonlight sizzles upon ground where weeds grow to thistles skies high—the passed-down tale. For once, too, was I given away, my own sacred snippets of memory, where my long-dead father sang to me, the tone of his low voice making the dark friendly, and the windows lit with wolves, whales, and mermaids about the rooftop, their dances with angels, one comet after another, one lion after another, trilling and thrilling throughout the apocalypse.

Geri Lipschultz

Geri Lipschultz's publications include work in The Rumpus, Ms., New York Times, the Toast, Black Warrior Review, College English, and others. She teaches writing at Hunter College and Borough of Manhattan Community College and holds an MFA in fiction from the Iowa Writers' Workshop, as well as a Ph.D. from Ohio University. Her novels have been finalists for Eyewear Publishing, Subito Press, the Eludia Award, New Rivers Press, Gertrude Press, Black Lawrence Press and for Iron Horse Literary Review. Geri was awarded a Creative Artists in Public Service (CAPS) grant from New York State for her fiction, and her one-woman show (titled 'Once Upon the Present Time') was produced in NYC by Woodie King, Jr.